Marissa Bode is in the midst of the sort of second that feels each dreamlike and utterly earned. With Depraved: For Good hitting theaters, the actor—making her feature-film debut as Nessarose—finds herself a part of one of many yr’s most anticipated releases, sharing the display with Ariana Grande, Cynthia Erivo, Jonathan Bailey, Bowen Yang, Jeff Goldblum, and Michelle Yeoh. She’s additionally making historical past as the primary wheelchair consumer to play the position, one thing she holds with monumental delight and goal.
Once we converse, the premiere attracts impossibly shut, and Bode admits the truth of it hasn’t absolutely sunk in but. “I think that’s just it,” she says. “It’s the fast approaching-ness of it all. I cannot believe how soon it’s going to be. It’s quite wild to me how soon it is. It really snuck up on me a little bit.” Her pleasure is contagious; she lights up when she talks about lastly sharing the movie with the world. “I’m excited. I’m excited for all of you to see it. I’m going to be seeing it with my friends. One of my friends actually rented out a theater! So, yes, I am really excited.”
Between press appearances, premieres and a carousel of time zones, Marissa is doing every part she will be able to to remain grounded. “I do my best to relax in between everything and take whatever breaths I need,” she says. Her technique of unwinding is delightfully sudden: “As literally everybody in my life knows because I won’t stop talking about it, I love to scrapbook. That’s been my hobby of the year. I was just on the plane coming back from London and finishing out the last few pages of my scrapbook. I feel like all the flight attendants looked at me like I was cuckoo for Cocoa Puffs because I had glue in all my clippings, and all my stickers just scattered around me.” Scrapbooking, she says, is what helps her keep related and calm in the midst of the whirlwind. “I feel like I’ve been doing my best and doing a good job anyways of trying to preserve myself and stay sane also in between everything.”
Her magnificence routine, rooted in vegan and cruelty-free merchandise, is one other steadying power. “I really, really love ILIA Beauty,” she says instantly, naming the tinted sunscreen and blush as staples in her routine. “It just goes on very smoothly. It’s very, very lightweight, but covers just enough.” When her pores and skin barrier took successful this summer time, she discovered salvation in Krave Magnificence. “It’s called Great Barrier Relief. I love it. I accidentally stripped my skin barrier this summer, and it helped a lot. It helps a lot. It gives me that extra glow. I really love it.”
Ethan Benavidez
Filming Depraved wasn’t with out its pores and skin challenges. She laughs remembering a curly-hair product that gave her beautiful curls—and in addition her worst breakouts. “I won’t say the product, but it made my curls look so good. It actually made them look awesome, but unfortunately, it gave me the worst breakouts of my entire life, literally! And this was all happening during filming, of course. I was like, ‘This could not have come at a worse time.’” The treatment: A dermatologist stepped in with a prescription cream that cleared every part rapidly, although she jokes that she will be able to’t recall any of the product names concerned. “It’d be more helpful if I knew the name of it,” she says. “All I know is that it worked!”
What stays along with her most by way of all of this—the wonder, the journey, the premieres—is the accountability and risk of illustration. “That means the most to me for a multitude of reasons,” she says. “One, just to create that baseline and the headway in the industry as a whole, to remind everyone that disabled people do have a place in this industry, whether it’s myself or my equally as talented peers.”
Bode sees the second not simply as a milestone for herself, however as a platform for broader advocacy. “It means a lot to me in terms of helping me build space and create a platform for myself to speak on disability rights issues, as well as other things. Truly justice overall. Progress overall is completely intersectional. We should be speaking out about more than just the things that affect us personally.”
The messages from younger followers—those who see part of themselves in her, or who’re seeing incapacity represented for the primary time—are what she carries closest. “It has been really cool to see the younger generation of disabled kids’ reaction, as well as non-disabled kids’ reaction, to the film and to my character,” she says. “For a lot of kids, this could be their first time seeing a disabled character on screen or a disabled person, period. It’s been really great.”
