Aamir Khan, typically hailed as Bollywood’s Tom Cruise, has constructed a repute not simply as an actor, director and producer however as a real change-maker in Indian cinema.
Identified for tackling urgent social points, his movies have lengthy been a catalyst for shifting views in Bollywood.
His newest venture, The Misplaced Girls, is not any exception, with a comedic twist that is earned a spot within the BAFTA race and been chosen for the Oscars’ worldwide class.
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The Misplaced Girls is each humorous and thought-provoking
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Pics: Aamir Khan Productions
The movie, directed by his ex-wife Kiran Rao, tells the story of two males who mistakenly deliver house the unsuitable brides – a comic story underscored by highly effective themes of patriarchy’s impression on each genders.
Khan’s humour and Rao’s directorial finesse craft a narrative that is each entertaining and thought-provoking.
“Women have been working on themselves for quite a while and struggling with that,” says Khan. “Men have done nothing.”
“We’ve alluded to violence against women in the film,” provides director Rao. “The deeper themes of how patriarchy affects women are central to the story.”
‘Males are the massive losers’
For Khan, the movie is as a lot about males as it’s ladies. He describes how societal expectations can strip males of their potential to attach emotionally.
“They can’t hold their son and give him a hug because it’s not such a manly thing to do,” says the actor.
“What men don’t realise is that what they are losing because of patriarchy is a big loss to a lot of men.”
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Khan’s ex-wife Kiran Rao (proper) directed the brand new movie
The 59-year-old says society typically pushes males to be breadwinners, even when their instincts would possibly lead them towards homemaking.
“I think men are the big losers,” he provides, difficult patriarchal norms. “If they fail to fully develop themselves… they fail to develop their sensitive side.”
Khan believes change begins with emotional connection, saying you may “convince a person logically, but it doesn’t help – it’s when you emotionally convince someone that change begins”.
His work additionally raises questions on freedom of selection.
Requested what drives him to make such unconventional movies, he credit his mom as “a big influence on how I am today”.
From addressing instructional challenges in Taare Zameen Par to exploring gender roles in The Misplaced Girls, Khan’s cinematic journey displays his dedication to tackling India’s most urgent social points.
By way of his physique of labor, Khan has sought to encourage change, one movie at a time.
